The Dispatch

In an interview published this month in a Los Angeles film magazine, Sam Rockwell was asked, as he is apparently asked with some regularity, about his performance in Gentlemen Broncos — Jared Hess's 2009 science fiction comedy in which a celebrated genre novelist (played by Rockwell, in a performance involving substantial hairwork and a complete absence of restraint) steals a manuscript from a teenage aspiring writer at a fantasy writing camp. The film received poor reviews on its release, earned $114,000 at the domestic box office, and has since accumulated a cult following of considerable and growing size.

"I stand by every single choice," Rockwell said. "I would do it again. I would probably do more."

The film screened at the 2025 Sonora Film Festival, where the programme described Rockwell's performance as "one of the great unrecognized comic turns of the twenty-first century, delivered with the conviction of a man who has decided that this role deserves everything." It received a standing ovation that continued, by one attendee's account, well past the point at which the lights had come up. The coordinators did not take questions afterward, as is their practice, but were observed in the lobby in a state of apparent satisfaction before departing through the side exit on Linoberg Street.

Dick Dynamite 1944 — the micro-budget World War II action-comedy written, directed, and starring Matti Finochio, in which a one-man Allied commando dismantles significant portions of the Nazi war effort through a combination of ingenuity, determination, and what the film presents as a reasonable quantity of explosives — has screened at three additional film festivals since its California premiere at the 2025 Sonora Film Festival and has been acquired for distribution in four European territories.

Finochio, a Los Angeles-based filmmaker who produced the picture over several years of intermittent shooting weekends, described the Sonora screening as "the first time I watched the film with a full audience that had genuinely no idea what was about to happen." He reportedly sent a handwritten note to the festival's programming committee following the event.

Whether the note was received is not confirmed. A coordinator, reached by this publication, said only: "We appreciated it." A follow-up inquiry asking who specifically had appreciated it was not acknowledged.

Franz Kafka's It's a Wonderful Life — the 1993 short film written and directed by Peter Capaldi, winner of the Academy Award for Best Live Action Short Film at the 1995 ceremony, in which a frustrated Franz Kafka cannot begin The Metamorphosis because he is unable to settle on the correct insect — has received a new 4K restoration from the BFI National Archive. The film, which stars Richard E. Grant as Kafka and runs 23 minutes, will screen at several upcoming retrospective programmes and is expected to be released on home media later this year.

The film has been substantially difficult to see in any reliable format for over a decade. Its restoration was undertaken as part of a broader BFI initiative to preserve British short films from the early 1990s, a period the archive describes as significantly underrepresented in existing preservation efforts.

The 2025 Sonora Film Festival screened the film in a theatrical print acquired through means the committee described as "standard acquisition channels," a characterization that was not elaborated upon. It preceded the festival's Saturday main feature. Capaldi, widely known for subsequent work on Doctor Who and numerous other productions, did not attend. The coordinators were asked whether an invitation had been extended. They did not respond.

Grand Theft Hamlet — Pinny Grylls and Sam Crane's documentary following two out-of-work actors who, during the COVID-19 lockdowns, staged a complete production of Hamlet inside the online multiplayer environment of Grand Theft Auto Online — won the BAFTA Award for Outstanding British Film at this year's ceremony. The film, which also features Mark Rylance as the Ghost, is the first documentary to receive the award since 2016.

The film screened at the 2025 Sonora Film Festival as part of the "I Know Kung Fu" programme, where it was the only non-martial arts selection and was listed in the programme without further explanation for its inclusion. Audience members who raised the question were directed to read the notes on the back of their ticket stubs, which contained no additional information.

The festival's programming committee issued a statement on the BAFTA win. It read, in full: "We are pleased." It was the most expansive public communication the organizational body had issued in three years.

The Criterion Collection has announced a new edition of Brian De Palma's Blow Out — the 1981 political thriller in which a Philadelphia sound recordist inadvertently captures the audio of an assassination — for release in spring 2025. The edition will feature a new 4K restoration supervised by De Palma, a feature-length documentary on the director's working methods, and De Palma's first extended audio commentary in over a decade.

The film occupied the closing-night slot at the 2024 Sonora Film Festival in March. Audience members who remained through the final sequence — the film concludes on terms that one attendee described, without apparent exaggeration, as "an extended assault on the concept of hope" — were not observed speaking to one another in the lobby afterward. Several stood near the concessions counter for a period of time without purchasing anything before departing.

John Travolta, asked about the film in a recent interview, called it "probably the best work I've done and the least amount of money I made doing it." De Palma did not comment. The Sonora Film Festival coordinators, when contacted regarding whether they had prior knowledge of the Criterion announcement at the time of programming, returned a form letter acknowledging receipt of the inquiry. The form letter had no signature line.

Attendees at a recent private event at the Rio Rando Grand Theatre have reported the presence of a new gluten-free popcorn option at the concessions counter, apparently introduced without prior announcement, posted signage, or any statement from theatre management. The option is prepared in a dedicated machine positioned to the right of the standard unit. A handwritten index card identifies it as "GF Corn — Uncontaminated." No price differential from the regular popcorn has been observed.

When a Rio Rando staff member was asked about the origin of the change, she said that she had been informed it was happening. When asked who had informed her, she paused for a moment, glanced briefly in the direction of the projection booth, and said she was not in a position to say.

The theatre has not issued any statement regarding the new offering. The coordinators were asked whether the change was connected to festival programming considerations. No response was received. The popcorn has been uniformly well-reviewed by those who have tried it.

Mike Cheslik's Hundreds of Beavers — the black-and-white slapstick feature in which an apple wine salesman stranded in a Wisconsin winter must trap hundreds of beavers using methods of escalating complexity and diminishing dignity — has arrived on a major streaming platform and is experiencing a wave of audience discovery that its theatrical release, while enthusiastic, did not fully anticipate. The film, produced over six years on a budget of approximately $150,000, has been compared in critical coverage to Buster Keaton, Max Fleischer, and, in one review that has been widely circulated, "something that has no identifiable precedent in recorded cinema history."

The film screened as the closing selection at the 2024 Sonora Film Festival. The programme described it as "a film that is either the future of cinema or the past of cinema, and which may in fact be both simultaneously." This description was not clarified at any point during the festival weekend.

The coordinators were contacted for comment on the film's streaming success. The submissions email address returned a delivery failure notification for approximately two weeks in May, the cause of which was not explained. A subsequent attempt to reach the committee through an alternate contact resulted in a reply acknowledging that the message had been received. No further response was provided.

In a wide-ranging interview published this week in a Swedish film quarterly, Dolph Lundgren offered his most extensive public comments to date on Dark Angel — the 1990 science fiction action film, released in some markets as I Come in Peace, in which he plays a Houston police detective investigating a series of murders committed by an extraterrestrial drug trafficker who harvests human endorphins for resale on an alien black market. Lundgren called the film "probably my most complete performance" and expressed measured frustration at what he described as its long critical undervaluation.

"It had everything," Lundgren said. "Comedy, genuine stakes, an original concept. It came out in a market that was crowded with product and people categorized it without watching it. Which, to be fair, is a category I have contributed to across a number of titles."

The film screened at the 2024 Sonora Film Festival, where it was placed second in the Saturday programme. One attendee described the scheduling as "precisely calibrated." The festival coordinators did not respond to a request for comment. Lundgren's interview does not reference the Sonora Film Festival, as he is not, to any available evidence, aware that it exists.

The Rio Rando Grand Theatre has completed installation of a 4K laser projection system, replacing the digital cinema unit that had served the theatre since 2009. Work was carried out over a long weekend in late September. The new system was installed by a crew that arrived before the theatre opened on Friday morning and departed by Sunday evening without speaking to any regular staff members beyond what was operationally necessary.

A statement regarding the upgrade was distributed Tuesday to a small press list under no individual's name. The statement was retracted Wednesday via a follow-up email containing no explanation. A revised version was distributed Thursday with two sentences removed. The revision that was ultimately allowed to stand reads, in its entirety: "The new projection system represents a significant enhancement to the Rio Rando's capabilities and to the audience experience we are committed to providing. The image is extraordinary."

The coordinators declined all interview requests related to the installation. A source familiar with the theatre's ongoing operations confirmed separately that the concessions popcorn machine had also been serviced during the same period. The source asked not to be named.

A feature-length documentary about Weng Weng — the Filipino martial arts actor known primarily for his work in the 1981 film For Y'ur Height Only, in which he plays a two-foot-nine government secret agent who systematically neutralizes a criminal organization's entire operational apparatus — is reportedly in development at a Manila-based production company. If completed, the project would be the first feature documentary dedicated solely to the actor's life and career.

Weng Weng, born Ernesto de la Cruz, appeared in a series of low-budget action films in the Philippines in the early 1980s before largely withdrawing from public life. He died in 1992 at the age of thirty-four. The circumstances of his later years have been the subject of scattered journalism but no sustained scholarly or documentary attention.

The 2023 Sonora Film Festival screened For Y'ur Height Only as part of its "Secret Agent Man" programme. The film was described in the programme notes as "a film that should not work at all and works completely, and which raises questions about the nature of screen charisma that have not been satisfactorily answered." The audience response was reported by multiple attendees as one of the most enthusiastic of the festival weekend. The coordinators were not present for the post-screening period and had left the building by the time the final credits concluded.

Junta Yamaguchi's Beyond the Infinite Two Minutes — a 70-minute Japanese science fiction comedy, shot in a single continuous take using consumer cameras, in which a Tokyo café owner discovers that the television monitor in his upstairs apartment displays footage of the downstairs café two minutes into the future — has arrived on American streaming platforms this spring following a limited theatrical run and is generating substantial word-of-mouth among viewers encountering it for the first time.

The film, produced in 2020 on a minimal budget by a Kyoto-based theatre company, screened at the 2023 Sonora Film Festival as the opening selection of the "Secret Agent Man" programme, a placement that was not immediately self-evident to all attendees but which the coordinators declined to explain. It was among the most discussed films of the festival weekend.

When asked how the film came to the committee's attention, a festival representative noted that the committee reviews materials "through channels that are its own" and that acquisition decisions are not discussed publicly. The film is available with English subtitles. It runs precisely as long as it needs to.

S.S. Rajamouli's RRR won the Golden Globe Award for Best Original Song at the 80th ceremony in Beverly Hills on Tuesday evening. The award was given to "Naatu Naatu," composed by M.M. Keeravani and performed by Rahul Sipligunj and Kaala Bhairava. The film had previously received a nomination for Best Non-English Language Film at the same ceremony.

The Telugu-language epic, which follows two Indian freedom fighters operating in 1920s colonial India, was released in March 2022 and screened as the opening-night selection at the inaugural Sonora Film Festival the following September. At that screening, the central dance sequence was received with applause loud enough to be audible from the lobby. The runtime of 182 minutes was not disclosed in advance in the programme materials. No complaints were recorded.

The film is expected to receive further awards attention in the coming weeks, including a nomination for the Academy Award for Best Original Song, which was subsequently confirmed. The Sonora Film Festival has not issued a statement on the Golden Globe win. This is consistent with the festival's approach to all prior occasions on which a statement might have been issued.

The Rio Rando Grand Theatre has completed a three-week sound system installation that, according to a brief notice posted on the theatre's front door and subsequently removed without explanation, required "significant structural access to the wall cavities." The theatre was closed to the public during the work. A new speaker array has been installed throughout the main auditorium, the two balconies, and what the notice described as "the relevant corridor spaces," replacing a system installed in the mid-1990s.

The upgrade was announced in a single paragraph distributed to a small press list. The paragraph carried no individual byline and was issued from an email address that had not previously appeared in any theatre correspondence. A follow-up inquiry sent to that address received no reply. A separate inquiry sent to the theatre's standard contact address received an auto-response indicating that the inbox was not monitored outside of festival periods.

Attendees at a private screening held at the theatre the week following the installation's completion reported that the audio rendering was "completely transformed" and that certain low-frequency elements of the programme material had produced a physical sensation in the chest cavity that was, in the words of one attendee, "not unpleasant but also not something I was expecting from a 1986 film about blues guitar." The theatre is expected to reopen to general public events before the new year.

S.S. Rajamouli's RRR has been included on the Golden Globe Awards consideration list in the categories of Best Non-English Language Film and Best Original Song, the Hollywood Foreign Press Association confirmed this week. The nominations — to be formalized in the coming weeks — represent the broadest mainstream awards recognition Telugu-language cinema has received, and mark the most attention this film has seen since its release in March.

The film screened as the opening-night selection of the first Sonora Film Festival in September, where it was received with what multiple attendees described as exceptional enthusiasm. The central dance sequence, "Naatu Naatu," produced a response that continued through the subsequent scene change. The film's runtime of three hours and two minutes was listed in the programme without comment.

The Sonora Film Festival programming committee was asked whether the nominations had been anticipated at the time of selection. A brief response was received, stating: "The committee selects films on the basis of their merit." No further elaboration was provided, and a request for clarification as to what "merit" meant in the committee's usage went unanswered.

The first Sonora Film Festival concluded its three-day run at the Rio Rando Grand Theatre on Sunday evening to an extended standing ovation that was, by several accounts, longer than anyone in the auditorium had been prepared for. The programme — four films selected by a committee whose membership is not disclosed in any publicly available material and whose organizational structure does not appear in the festival's founding documents — drew audiences that filled the Rio Rando to its stated capacity of 310 seats across all principal screenings. No tickets remained available after the second day of sales, a period that lasted approximately four hours.

Opening night was given to S.S. Rajamouli's RRR, a Telugu-language epic with a runtime of 182 minutes that was not flagged as such in advance materials. No audience members departed early. Saturday's programme paired Walter Hill's Crossroads with Michaël R. Roskam's The Drop, a combination that one attendee described as "a music film and a crime film that together create a mood I'm still trying to name." The festival concluded Sunday with The Peanut Butter Solution, the 1985 Canadian children's film in which a boy loses all his hair after a fright and attempts to remedy the situation using a formula involving peanut butter, with results that the film presents without apparent irony as fully deserving of the audience's serious attention. The closing ovation lasted six minutes.

The coordinators were present at each screening and were observed in various locations within the Rio Rando throughout the weekend, including the balcony, the projection booth corridor, and, on Sunday afternoon, the roof access stairwell, the purpose of which visit was not established. They did not speak publicly at any point during the festival and departed the premises each evening before the lobby had fully cleared. The festival has announced it will return in 2023. No further details have been provided.